Liminal Beach - solo exhibition at Wentrup Gallery, Berlin, 15 September - 21 November 2023
A woman flings herself into the air on a secluded beach, her red dress lifting from the force of that leap, its
color a vibrant splash against the blue sky and endless horizon. She is so exuberant that she seems to defy
gravity. Any moment now, those graceful arms might carry her away beyond where we can see. Phoebe
Boswell’s
Liminal Deity could be a portrait of joy and exhilarating freedom. But that dress: it is both elegant
and harrowing, made of either feathers or flesh. Its shade of red hovers on the edge of darkness. Those
could be feathers whipping in the wind. It could also be tender flesh, disintegrating. It is flight in motion. It is
a wound exposed. The shadow that seems to dance in front of this woman, could it be trying to flee? So much
in this work is a suggestion: is this joy, or is this pain? It is impossible to know from her expression, the face
is rendered featureless.
Liminal Deity, like all of Phoebe Boswell’s art, dares us to give up our certainties. It
challenges us to travel across uncharted territory, not for the sake of safety, but for a more complicated and
layered understanding of all that can exist at once. In that space, Boswell asserts, lives possibility and even
freedom.
This work is part of Phoebe Boswell’s exhibition, “Liminal Beach”, at Berlin’s Wentrup Gallery. In these
portraits of fishermen and other residents of a coastline that echoes the shores of East Africa, the ocean is a
moody and powerful presence, less a backdrop to life than a steady companion. It beckons as one solitary
woman stares into the horizon in
To Know the Weather. It is stark and foreboding as a group gathers their
nets in
Bless the Boats. The ocean gleams, crystalline and inviting, as two men talk in
All Possible
Everything. It seems to rise and embrace the young men in
Future Ancestors. The ocean: eternal and
mercurial, sheltering and threatening.
A hint of its power is made evident in the curation of “Liminal Beach”, where a shimmering, silvery reflective
wall covering both mirrors the paintings back to the viewer and places us firmly within the line of sight. We
are seeing. We are the seen. The lines between observer and subject, between the ocean and the city,
between mirage and reality, blur. The horizon expands, endlessly. In this new series of bold, sensitive
paintings – seen for the first time in Berlin -- Boswell continues to push us further into that unstable,
uncomfortable terrain where real change and inspiration reside.
Phoebe Boswell is an interdisciplinary artist with breathtaking range and talent. Her art moves fluidly across
several mediums - drawing, video, animation, sound, interactivity, performance, writing, and painting – all of
it in the service of questions about who we are and how we see/are seen, about what we embody physically
Wentrup | Knesebeckstraße 95 | 10623 Berlin-Charlottenburg | Phone + 49 (0) 30 48493600 | mail@wentrupgallery.com | www.wentrupgallery.com
and what we contain within us in that invisible territory of the imagination, the voice, and the spirit. Born in
Nairobi, Kenya and raised in the Arabian Gulf, Phoebe now lives in the UK and spends time in her family
home in Zanzibar. It is a diasporic existence, consisting of many worlds and languages, the landscapes of her
childhood separated by bodies of water which have witnessed migrations and homecomings, becoming both
graveyards and paths towards a new life. Her work springs from that tension, inspired by bodies bound by
flesh and bone, and those made of water.
Text by Maaza Mengiste